Within the project Wissen schafft Raum (Knowledge Creates Space) which is part of the program TUD im Dialog – Institute of Art and Music and the Faculty of Architecture, TU Dresden and PhfTD – students of the HfBK and Palucca University of Dance Dresden will present their work which shows an experimental interaction with sound, movement and their relation to space.
Download: Flyer “Sound Space Body”
ARTISTS:
• JACK BANNERMAN
• NA BESERRA
• YEONWOO CHANG
• DAN DATCU
• LI KRAIRNBAUER
• NICOLAI LEICHER
• ANN-MARIE NAJDEREK
• LIU SHIYU
• NOE VALDESWISSENVEGA
ADDRESS
FOYER, Weiße Gasse 8
01067 Dresden
SCIENTIFIC INPUT / ARTISTIC POSITION:
Jun.- Prof. Dr. Miriam Akkermann
Empiric Musicology, TU Dresden
Prof. Katharina Christl
Palucca University of Dance Dresden
Prof. Dr. Henning Haupt
Chair of Foundations in Art and Architecture, TU Dresden
Project management / Organisation:
Dipl. Ing. Rostislav Komitov, WMA
Chair of Foundations in Art and Architecture, TU Dresden
Till Ansgar Baumhauer PhD
Projekt EU4ART_differences, HfBK Dresden
COOPERATION
Students, Alumni HfBK Dresden
Students of the M.A. Choreography, Palucca University of Dance Dresden
More information at TU Dresden webpage: https://tu-dresden.de/bu/architektur/ifge/gl/die-professur/newsuebersicht/sound-space-body
Program
WHIPPED WHITE TALE
BROKEN WHITE NOISE
Yeonwoo Chang
Permanent sound installations
Inspired by the street name Weiße Gasse, this work searches the meaning of ‘white’ through the sound and space in the city of Dresden. White is the color most often associated with perfection, the good, honesty, cleanliness, the beginning, the new, neutrality, and exactitude. White has been one of the most prominent achievenments of Saxony, eversince the invention of the Meissen Porcelain. And porcelain has often been an object to reflect through the identity of ‘white’ in Western. Through the two different works about the ‘white’, the exhibition will explore the different point of view in relation to the concept of white and the city.
PROTOTYPE [PROTOS]
Ann-Marie Najderek
Noe Valdes Vega
Liu ShiYu
Permanent sound installation
Permanent sound installation An experimental model is tested, tuned, trained and maintained. The exhibition space functions as a laboratory for its further development. In this experimental space, rules, prohibitions and commandments are established and discarded. A configuration process in shift change. Two workers adopt patterns of action, adhere to pre-established rules and codes. Letters of motivation provide information about two different approaches to the work – an instrument as an extension of human corporeality, a forming relationship between object and subject, a body in alternation of leisure and tension, balance and imbalance, friction and feedback.
BODY NOT BODY
Noe Valdes Vega
21.11. Mon. 19:00h, 22.11. Tue. 19:30h
The relation between the bodies and objects in modern societies is pictured very often as the object being and extension of the human corporeity. The shapes, speeds, directions we adopt change in relation to the objects we interact with
THE POOL
Liu ShiYu
Ann-Marie Najderek
22.11. Tue. 19:00h, 25.11. Fri. 19:00h
Female worker in the space. Modeling sense of Female body. Bound body tries to find balance.
LEAN ON ME
Li Kirnbauer
Jack Bannerman
Costume: Philipp Fritsche
21.11. Mon. 19:45h, 22.11. Tue. 19:45h
People inhabit space in different ways. Physically inhabiting a room is not the only way to exist within it. Socio-political understandings of taking space are diverse and complex, they interweave and affect our perceptions of ourselves and others. Can you see me when I am not there?
GLITCH
Na Beserra
Dan Datcu
23.11. Wed. 19:00h, 25.11. Fri. 19:45h
How does a perfect white wall crack when abandoned? When confronted with a pristine flat structure we tend not to acknowledge the changes than can occur within that structure. All we perceive is the stillness of the moment.
ON DISPLAY
Alen Maria Bichler
Nicolai Leicher
23.11. Wed. 18:00h, 24.11. Thu. 18:00h, 25.11. Fri. 18:00h
Walking down a street I saw a window that moved. Behind it was a room, I didn’t know if I was allowed to enter.
